To the Celts the tree stands as a link between the worlds of mortals and the underworld. The branches and the trunk visible in the world of man; the underparts tapping into the hidden mysteries of the after life.
The Gaelic word for Oak is “Dara”, not unlike doras, meaning door. Celtic tribes in Ireland had sacred groves of trees called nemeton, where they worshiped and offered sacrifice. Frequently raiding tribes would fell their victims’ sacred trees; this was conceived as a gesture to demoralise the people for whom the tree was a talisman, or crann beathadh, tree of life.
The lone tree standing in the filed was considered sacred. As the animals had not eaten it as a sapling, it was believed to be protected by the fairy folk. These trees were considered wishing trees. A ritual formed around these trees, where people would focus on what they desired, while typing a rag onto the tree, making sun wise circles and chanting prayers. Indeed these wishing trees are still to be seen in parts of rural Ireland today. They are held in great esteem by the local people, as, it is thought that any hard done to them will surely end in misfortune.
From such folklore came the artist’s inspiration along with the mysterious Fairy Trees on the beautiful rugged landscapes of Achill Island, the birthplace of the artist’s parents. The basic elements of bog oak and copper capture the subtle tones of mysticism and natural grace.